A Heart at Fire's Center : The Life and Music of Bernard Herrmann (Como Novo)
A Heart at Fire's Center : The Life and Music of Bernard Herrmann (Como Novo)
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Titulo: A Heart at Fire's Center : The Life and Music of Bernard Herrmann (Como Novo)
Autor: Steven C. Smith
ESTADO: COMO NOVO
ISBN/EAN: 9780520071230
Editor: University of California Press
Ano: 1992
Idioma: Inglês
Encadernação: N.A.
Páginas: 400
Coleção: N.A.
Nº. da Coleção: N.A.
Código de Controlo: 6B
Descrição: No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film ("Citizen Kane") to his last ("Taxi Driver"), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic ("Fahrenheit 451", "The Day the Earth Stood Still") to the romantic ("Obsession", "The Ghost and Mrs. Muir") to the terrifying ("Psycho"). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles' "Mercury Theatre of the Air" and "The War of the Worlds".
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Autor: Steven C. Smith
ESTADO: COMO NOVO
ISBN/EAN: 9780520071230
Editor: University of California Press
Ano: 1992
Idioma: Inglês
Encadernação: N.A.
Páginas: 400
Coleção: N.A.
Nº. da Coleção: N.A.
Código de Controlo: 6B
Descrição: No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film ("Citizen Kane") to his last ("Taxi Driver"), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic ("Fahrenheit 451", "The Day the Earth Stood Still") to the romantic ("Obsession", "The Ghost and Mrs. Muir") to the terrifying ("Psycho"). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles' "Mercury Theatre of the Air" and "The War of the Worlds".
