After the End of Art : Contemporary Art and the Pale of History (Usado)
After the End of Art : Contemporary Art and the Pale of History (Usado)
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Titulo: After the End of Art : Contemporary Art and the Pale of History (Usado)
Autor: Arthur C. Danto
ESTADO: USADO
ISBN/EAN: 9780691011738
Editor: Princeton University Press
Ano: 1997
Idioma: Inglês
Encadernação: N.A.
Páginas: 256
Coleção: N.A.
Nº. da Coleção: N.A.
Código de Controlo: 3A
Descrição: Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol's Brillo Box and the product found in the grocery store. Here we are engaged in a series of insightful and entertaining conversations on the most relevant aesthetic and philosophical issues of art, conducted by an especially acute observer of the art scene today.
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Autor: Arthur C. Danto
ESTADO: USADO
ISBN/EAN: 9780691011738
Editor: Princeton University Press
Ano: 1997
Idioma: Inglês
Encadernação: N.A.
Páginas: 256
Coleção: N.A.
Nº. da Coleção: N.A.
Código de Controlo: 3A
Descrição: Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol's Brillo Box and the product found in the grocery store. Here we are engaged in a series of insightful and entertaining conversations on the most relevant aesthetic and philosophical issues of art, conducted by an especially acute observer of the art scene today.
